Wedding Bed by Lu Hao

What's more interesting is the plastic material as the important linguistic element in the works, which Lu Hao employs to express something he has sensed, that is, the plastic signifying modern, but cheap; practical, but fragile; pleasant, but not aesthetic; it can simulate various natural materials, but they always look specious.

As a second-hand existential environment made by man for himself it becomes the symbol of the times.
What's more important is that it provides the Chinese with such a perception that backwardness both in our technology and aesthetics render our plastic arte facts so vulgar like those garish basins produced by the town-owned factories, and it also becomes the symbol of the modernization ideal in our age.