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Ouyang Xun: the Founder of Ou Style

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Lin Fengmian

Lin Fengmian
Lin Fengmian was born in Meixian County, Guangdong Province, in1900. He went to Europe in 1918...

Feng Linzhang

Feng Linzhang
Born in 1943, pseudonym Yu Lin (rain and forest), is a native of Tangshan, Hebei province. He is...

Lu Ji: A Master of "Fu"

Lu Ji: A Master of
Lu Ji (陆机,261–303), courtesy name Shiheng (士衡), was a Chinese writer and literary...

Ouyang Xun (欧阳询, 557-641), courtesy name Xinben (信本), was a Confucian scholar and calligrapher of the early Tang Dynasty. He was born in Hunan, Changsha, to a family of government officials; and died in modern Anhui province.

Ouyang Xun (557-641), also named Ouyang Xinben, was a native of modern Hunan Province. Ouyang Xun's calligraphy, largely kaishu(regular script), was known for its rigorous and grand strokes as well as its unique order and structure, and was called "Ou Style" by later generations. His kai shu works include Jiuchenggong Liquan Ming, and the most famous kingship works are Mengdian Tie and Zhanghan Tie. Besides being an expert in kasha and kingship, Ouyang also wrote excellent lishu(official script,隶书).

Several of his kasha works were seen as the best of theTang Dynasty. As the later generations found out, his kaishu had a certain order or formula in both its strokes and structure, which was easy for a novice to learn.

As early as in theSui Dynasty, Ouyang's calligraphy was widely known, and by the Tang Dynasty, as both the man and his calligraphy got older, had attained a high degree of perfection. However, Ouyang was not content with the achievements and continued practicing.

One day, during an outing with his friends, Ouyang came upon a stele inscribed by Suo Jing (a famous calligrapher of the Jin Dynasty), and felt the inscription was really mediocre after several look at it. However, upon second thought, he believed there must be something outstanding about the stele, since Suo was hailed as a great calligrapher. With this idea in mind, He stood for a long while in front of the stele, had a careful look into it and discovered the sparkling points about it. He went on to explore the stele for another three days, and finally realized the secret of using awriting brush, hence further perfecting his calligraphy.

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