Kunqu opera masterpiece: The LanKe Mountain![]()
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"The Lanke Mountain" tells a folk story which spawned the Chinese proverb - "Poured water cannot be retrieved." In the Han dynasty (206 BC-221AD), Zhu Maichen, a scholar living in poverty at the foot of the LanKe Mountain, was pressed by his wife Cui Shi for a divorce. After much acrimonious and vituperative shouting on the part of Cui, Zhu reluctantly obliged. Once freed from her first marriage, Cui promptly remarried an odious but well-to-do carpenter. Soon afterwards, however, her second husband fell on hard times, leaving her in destitution again. At the same time, Zhu passed the government examination and was appointed governor of the province. When Zhu was making his way to the governor's mansion, Cui stopped the procession and pled with Zhu to take her back. Zhu poured a pail of water on the ground and told Cui that he would take her back if she could retrieve the poured water. She could not. So Zhu left. Cui, totally mad then, jumped into a nearby river and drowned. In the play, Cui, the heroine, undergoes a traumatic experience that is rarely seen in Kunqu plays. Kunqu performances are generally marked by subtlety and restraint; but the part of Cui must be acted with a total abandon. It is so unusual that a special role-type is named after it in Kunqu theater: the 'sleeves-rolled-up female role' (qiao xiu dan). Cui is a woman of such unruly emotions that throughout the play she has her long sleeves, used in Kunqu Theater to show delicate feelings, rolled up -- demonstrating her perpetually belligerent nature. Another unusual feature of the role is that actors playing Cui must use their natural vocal cords, not the traditional falsetto, in arias and recitativi, so as to reveal her unrestrained lust for wealth, fame and happiness. Cao Jia (A Domestic Dispute) Zhu ventures out in the snow to look for firewood. Hungry, shivering, and struggling with the slippery snow, he comes back empty-handed. Waiting for him at the door is his merciless wife. |





