HOME

Scenery
  • Natural Scenery
  • Historic Sites
  • Nature Reserves
  • City Guide
  • Cultural Travel
Traditions
  • Myths and Legends
  • Festivals and Customs
  • Clothing and Ornaments
  • Folk Handicraft
  • Folk Art
  • Folk Residences
  • Ethnic Minority
Kaleidoscope
  • Medicine and Healthcare
  • Food Culture
  • Chinese Kungfu
  • Science and Invention
  • Games
  • Ming and Qing Furniture
  • Traditional Trades
Arts
  • Calligraphy and Painting
  • Sculpture
  • Architecture
  • Opera
  • Music and Dance
  • Artwork
History and Literature
  • Historical Figures
  • Historical Events
  • Archeology
  • Classics
  • Anecdotes
  • Literature
  • Humanistic Spirit
  • Antique Appreciation
  • Learn Chinese Characters
  • Q & A on Traditions
  • China Overview
  • Feature
  • E-book
  • Appreciation of Poems
  • Greeting Card
  • WallPaper
  • Music and Dance

Yu

  • ADD TO FAVORITE
  • PRINTER FRIENDLY
  •  

Liuqin

Liuqin
It is a smaller version of pipa with four strings, which sound similar to mandolin. Liuqin is...

Konghou

Konghou
Konghou, also called Kanhou, is an ancient plucked stringed instrument in China. There are mainly...

Mangtong

Mangtong
The mangtong is a Chinese end-blown free reed wind instrument. It is used primarily by the Miao...

The yu (竽; pinyin: yú) was a free reed wind instrument used in ancient China. It was similar to the sheng, with multiple bamboo pipes fixed in a wind chest which may have been made of bamboo, wood, or gourd. Each pipe contained a free reed, which was also made of bamboo. Whereas the sheng was used to provide harmony (in fourths and fifths), the yu was played melodically. The instrument was used, often in large numbers, in the court orchestras of ancient China (and also imported to Korea and Japan) but is no longer used.

A third-century BC line drawing featuring a yu player (seated in the third row, on the left end of the mat) may be seen here.

滥竽充数Although the yu is now obsolete, it is known to most Chinese speakers through the saying "Làn yú chōng shù" (滥竽充数), meaning "to fill a position without having the necessary qualifications." The saying is derived from the story of Nanguo, a man from southern China who joined the royal court orchestra of King Xuan (宣王, 319 BC–300 BC), the ruler of the State of Qi (齊; the modern Shandong province of China) as a yu player. Although the man did not actually know how to play this instrument, he knew that the orchestra had no fewer than 300 yu players, so he felt secure that he could simply pretend to play, and thus collect a musician's salary. Upon the king's death, Nanguo was eventually found out as an imposter when the king's son Min (泯王, 300 BC–283 BC), who had succeeded his father as king, asked the musicians to play individually rather than as a group. On the night before he was to play, Nanguo fled the palace, never to return. The yu is similar to the lusheng, a free reed mouth organ used by various ethnic groups in several provinces of southern China.

search

Other Topics

    Instrumental Music at Sunset
    Instrumental...
    Also named Xunyang Lute and Xunyang in Moonlight, Instrumental Music at Sunset is one of the...
    Two Springs Reflect the Moon
    Two Springs...
    Erhu, also called Huqin, was known as Xiqin during the Song Dynasty. Huqin described in Yuan...
    Anita Mui
    Anita Mui
    Anita Mui Yim-fong (10 October 1963 - 30 December 2003) was a popular Hong Kong singer and...
    Chan Bak-keung
    Chan Bak-keung
    Danny Chan Bak-keung (7 September 1958- 25 October 1993) was a popular 1980s cantopop singer,...
    King Lanling Going to Battle
    King Lanling...
    Also known as Masked Face or Painted Face, King Lanling Going to Battle is a kind of masquerade...
    David Tao
    David Tao
    David Tao is a popular Taiwanese singer-songwriter. He is well-known for creating a crossover...

    About Us | Statement

    © 2007-2010 cultural-china.com. All rights reserved.